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Blank Check with Griffin & David
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Blank Check with Griffin & David
Author: Blank Check Productions
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Not just another bad movie podcast, Blank Check reviews directors' complete filmographies episode to episode. Specifically, the auteurs whose early successes afforded them the rare ‘blank check’ from Hollywood to produce passion projects. Each new miniseries, hosts Griffin Newman and David Sims delve into the works of film’s most outsized personalities in painstakingly hilarious detail. Produced by Ben Hosley.
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We’re getting in touch with our emotions this week, as Alex Ross Perry joins us to talk about Lynch’s deeply-felt, sensitively-rendered 1980 classic THE ELEPHANT MAN. Is this the most “normal” movie in Lynch’s filmography? What does “normal” mean, anyway? As with all Alex episodes, questions are posed and hotly debated, such as: What filmmakers, aside from David Lynch, made their most important work in the later part of their careers? What is the Lynch film that young people vibe with most strongly now? Did Michael Jackson actually attempt to purchase the Elephant Man’s bones? When will the Cinematrix puzzle get rid of the godforsaken “Rotten Tomatoes score” category? What does David Sims have against the famous David Foster Wallace profile of David Lynch?
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In heaven (and in podcasting), everything is fine. Welcome to TWIN PODS: FIRE CAST WITH ME, a series on the films of David Lynch - former Eagle Scout and totally normal human man. With his 1977 debut feature ERASERHEAD, Lynch burst on to the scene somewhat fully formed as an artist, confused by normal social interactions and motivated by a seething hatred of Philadelphia. The last part of that sentence is only partially a joke. Join us as we discuss where Eraserhead fits in the pantheon of first features we’ve covered on Blank Check, where this film ranks in the “Dang Ass Freak” canon, whether we first watched this movie in a basement or on a “night porch,” the stress of parenthood, the origin story of McDonald’s mascot Grimace, and much more. Oh, and obviously - the Lady in the Radiator makes an appearance. You are not hallucinating, she is really there.
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Welp, our Kevin Costner series ends not with a bang, but a whimper. With the pulling of Horizon: An American Saga - Chapter 2 from theaters, we are left to only speculate what the future holds for Costner’s self-funded crazy passion project. What we can tell you is that Chapter 1 doesn’t really feel like its own self-contained movie. Plotlines are established, characters are introduced, and then…Giovanni Ribisi shows up.
Watch Kev on The Rich Eisen Show
This episode is sponsored by:
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You know the Butcher? That freakin' nutjob that goes around just chopping people up? Well, we’re about to spend nearly three hours talking about him! Join us as we unpack TRAP - the devilishly entertaining new thriller from M. Night Shyamalan, with special insights from our own David Sims, who spent much of this year interviewing Night at his compound in Philadelphia. We’re talking about a bunch of things - dads, serial killers, how much we don’t like going to concerts, the sexy elephant mascot of the New York Liberty, Josh Hartnett’s career arc - when we’re not excusing ourselves to go to the bathroom to uh…check on some apps.
Read David’s Profile of M. Night
Read Esther’s Article on The Shyamalans
Check out the Saleka merch
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Free-grazers and CR-heads - this is your week. The icon, the legend, the Ringer’s own Chris Ryan joins us to talk about Kevin Costner’s understated 2003 western OPEN RANGE. We’re finally doing a deep-dive on the Taylor Sheridan empire (aka Chris tells us what Mayor of Kingstown is actually about) as we set up the later part of Costner’s career in the run-up to Horizon. We spend a good amount of time lauding the consistent greatness of Robert Duvall and Annette Bening. You can practically hear the relief in our voices when we talk about how this movie is actually quite good! It may or may not be racist against the Irish, but - hey. How great is that chocolate scene?!
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This week’s movie has everything - fake teeth on Giovanni Ribisi, a mule performing Shakespeare, Tom Petty, Kevin Costner’s irresistible sperm…you read that correctly. This film has a major plot line that revolves around Kevin Costner’s sperm. Our beloved Emily St. James joins us to talk about Kevin Costner’s colossal 1997 flop, the post-apocalyptic ode to the US Postal Service - THE POSTMAN. There are parts of this movie that are truly moving. There are other parts of this movie where Kevin Costner and Will Patton wrestle in slow motion. It’s a fascinating text.
Buy Emily’s Book about Lost: LOST: Back to the Island: The Complete Critical Companion to The Classic TV Series
Be on the lookout for Emily’s Novel “Woodworking” out April 2025 - Read more HERE
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In a first for Blank Check, we’re covering a filmmaker who has acted alongside our own Griffin Newman! In our premiere episode covering the directorial career of Draft Day co-star Kevin Costner, we’re unpacking his 1990 Best Picture winner, DANCES WITH WOLVES. Costner as personal mythmaker, Costner as “movie sports guy,” Costner as “hot guy who women all want to sleep with (?)”, Costner as man who decided - at a crucial (and early!) point in his career - to take a huge risk by making a 3-hour epic in an old-fashioned genre. He’s a fascinating figure. Come west with us, listeners, as we discover the frontiers within ourselves and within Lieutenant John Dunbar.
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The first "G" in "Gigli" is pronounced like the "J" in “Jacques,” the second “G” is silent. Rhymes with "really." Now that that’s out of the way - we conclude our Martin Brest series with the turkey of all turkeys. The Bennifer original sin, the project that should have gotten Justin Bartha put in prison. That’s right, folks. We’re talking about one of the canonical “Worst Movies Ever Made” - 2003’s GIGLI. Screenwriter Jen D’Angelo joins us to talk about this fascinating cultural object, and makes a case that Ben Affleck is “good in this movie, actually.” Griffin and David disagree. We’re going to Baywatch!
Read the Variety Article referenced in the episode
Watch Martin Brest’s First Interview in 20 Years
Follow Jen on Instagram
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He’s hot. He’s got frosted tips. He loves peanut butter. His lil swimmers may or may not look like skulls. He’s death, baby! And we’re meeting him this week! Vanity Fair’s Richard Lawson returns to the pod to chat about 1998’s three hour long “symphonic metaphysical romance” MEET JOE BLACK. How does this film play in a post-Succession, “eat the rich” context? How do we feel about the infamous Jamaican patois scenes? What are our memories of the weekend the Phantom Menace trailer came out in theaters? All that and more awaits you on the other side of the bridge.
Read Chad Hartigan’s article on Meet Joe Black
Read Richard’s work at Vanity Fair
Listen to Little Gold Men
Listen to Still Watching
This episode is sponsored by:
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Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram!
Warning - this episode contains an ungodly amount of Pacino impressions. Listener discretion is advised.
“Actor’s actor” and local boy from Queens David Krumholtz becomes the second cast member of Oppenheimer and first person immortalized in Griffin’s beloved Disney Emoji Blitz to guest on our Martin Brest series as we talk about 1992’s dire SCENT OF A WOMAN. Would this movie be less terrible if it were at least 40 minutes shorter? What if the original first choice for Lt. Col. Frank Slade - Jack Nicholson - had done this film instead of Pacino? What if we swapped Philip Seymour Hoffman for the charisma vacuum that is Chris O’Donnell? Sadly, we can only imagine these scenarios. Join us for lots of candid Krumholtz anecdotes, a scorching hot take regarding the diner scene in Heat, and more!
Check out David in Lousy Carter
Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram!
In a first for Blank Check, Ben Hosley produces an entire episode while handcuffed and under threat of legal action. What else would you expect from a MIDNIGHT RUN episode? The great Alan Sepinwall returns to the pod to talk about Martin Brest’s fantastic cross-country buddy caper, a film that proved that DeNiro could do comedy and that Charles Grodin might be the funniest man alive. We’re talking about the unofficial Larry the Cable Guy sequel (?), the famous casting what-ifs (Cher!), and the magic that went into making this movie so breezy, effortless, and fun. We didn’t how good we had it back in 1988, did we?l
Pre-order Alan’s book, “Saul Goodman V. Jimmy McGill: The Complete Critical Companion to Better Call Saul”
Subscribe to What's Alan Watching
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An indelible synth theme by Harold Faltermeyer. A scene-stealing turn from Bronson Pinchot. A banana in a tailpipe. EDDIE FREAKING MURPHY. It’s no wonder that Martin Brest’s Beverly Hills Cop is one of the most beloved action comedies (and still the highest-grossing R-rated film adjusted for inflation). We couldn’t be more thrilled to have two of the hottest action directors in Hollywood - Bad Boys: Ride or Die’s Adil & Bilall - join us to talk about Brest’s blockbuster second feature, bringing all the expertise from their years spent developing Beverly Hills Cop 4. We’re getting into the Stallone of it all, the Simpson/Bruckheimer of it all, the Judge Reinhold of it all - while also taking some time to unpack the specific nuances that Brest brings as a director (as opposed to Tony Scott’s take on the sequel). And….yes. We talk about BATGIRL.
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After years of citing him as a potential series, we’re finally Brest men. In this inaugural episode of our “Podverly Hills Cast” series, we’re taking a look at Martin Brest’s debut feature, 1979’s understated and deeply enjoyable old man heist film “Going in Style.” James Urbaniak joins us to chat through the beginning of Brest’s career, and the storied personas of George Burns, Art Carney, and Lee Strasberg. Cream cheese and jelly sandwiches on toasted rye for everyone!
This episode is sponsored by:
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We return to the Wasteland this week with Furiosa, and we’ve got quite the tour guide. Kyle Buchanan - author of Blood, Sweat & Chrome, THE book on the making of Mad Max: Fury Road - joins us as we do a definitive post-mortem on George Miller’s latest. Going up against the reputation of Fury Road was always going to be an uphill battle for the Anya Taylor-Joy starrer, and we go into all the ways in which this film matches, exceeds, or misses the highs of 2015’s action classic. Kyle brings with him plenty of behind-the-scenes details and shrewd observations, and Ben and Griffin bring a visceral report from their 4DX screening. And yes - of course we talk about how Dementus looks just like Guru Pitka.
Read Kyle’s writing at the New York Times
Check out his Oral History of Fury Road as well as his book; Blood, Sweat & Chrome: The Wild and True Story of Mad Max: Fury Road
This episode is sponsored by:
MUBI (mubi.com/blankcheck)
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Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram!
Come join the dream parade, folks - we’re talking about Paprika! Mother of the Blankies Emily Yoshida is with us to chat about Satoshi Kon’s final film - a film that FEELS like a swan song especially in hindsight. In this episode, we address the elephant in the room (those Inception comparisons), dive into the serialized story Paprika was based on, and Griffin makes the important connection between Paprika’s “DC mini” device and this being a “BC mini” (series). Plus, we establish 2024 as “The Year of Dreams” (Kon and Lynch on Blank Check!!), and Emily, Ben, and Griffin discuss their experience attending a special screening of Clifford with Martin Short himself.
Check out Shogun on FX and listen to Shogun: The Official Podcast hosted by Emily
Read Emily’s writing on Paprika
Please follow Hollywood Entertainment (the organizers of the Clifford screening mentioned on the episode)for upcoming screenings in LA (including a new residency at Heavy Manners Library), regular streaming programs (accessible everywhere), and a to-be-announced return to New York this fall.
https://www.instagram.com/hollyw00dentertainment
https://www.hollywood-entertainment.com/
This episode is sponsored by:
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They call them the Godfathers of Tokyo…and we call him the KING of TIKTOK (in an old man newscaster voice) - Reece Feldman joins us to chat about Satoshi Kon’s beautiful Christmas fable about a trio of unforgettable characters on the fringes of society. We talk about how animation is truly a medium and NOT a genre, as evidenced by this film. We talk about Ice Age (another animated movie where outsiders care for a baby). We talk about whether or not David might get roped into watching Ice Age a million times if his daughter finds out about it. And we talk about David’s pitch for a Cheaper by the Dozen spoof called “Cheaper by the Cousin”…?
Follow Reece on his socials: TikTok - Instagram
This episode is sponsored by:
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Burrow (Burrow.com/check)
Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram!
Our Satoshi Kon series continues with his 2003 film Millennium Actress, a moving exploration of memory, history, and the magic of da moviesh. Writer Hoai-Tran Bui returns to the pod as we discuss the strange history of Dreamworks’ arthouse animation arm (Go Fish pictures), the luminous screen presence of Setsuko Hara, and the added poignancy this film takes on in light of Kon’s untimely passing. Plus, Griffin publicly addresses the Penny Marshall debacle, and the gang contemplates a version of “Millennium Actor” with Clint Eastwood.
Read Hoai-Tran’s work
This episode is sponsored by:
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Welcome to the filmography of Satoshi Kon - a thrilling series of funhouse mirrors and puzzlebox narratives that proved what is possible in the animation form. The icon, the legend, the culturista himself Bowen Yang joins us to talk about Kon’s feature debut, the shocking and influential pop-idol thriller PERFECT BLUE. We’re talking about famous “bad girl” transitions in pop history. We’re talking about Digimon villains. We’re talking about obsessive fandoms. And, most crucially, we learn a new piece of Ben lore that involves a famous reality tv star.
Listen to Las Culturistas with Matt Rogers and Bowen Yang
This episode is sponsored by:
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Our McTiernan series concludes with 2003’s BASIC - a film that Griffin thinks should instead be titled “COMPLICATED” - get it? Because there are so many plot twists?? The great BenDavid Grabinski joins us to chat about John Travolta’s run of big, skeezy characters post-FACE/OFF, McTiernan’s ultimate Achilles heel (getting too confident in his ability to fix impossible movies), the screenwriting career of studio wunderkind James Vanderbilt, and the truly terrible acting of Giovanni Ribisi. Plus, the return of Journalist Eddie Brock, our pitches for different versions of CHANGING LANES (which they should remake every five years), and our final McT filmography rankings.
This episode is sponsored by:
AuraFrames.com (CODE: CHECK)
Burrow (Burrow.com/check)
Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram!
Finally, we arrive at the film that helped put John McTiernan in both “director jail” and “jail jail” - the incoherent nu-metal fart that is 2002’s ROLLERBALL. Zach Cherry continues his trend of appearing on episodes covering movies that led to actual court cases, and we do our best to try to explain what happened (both on-screen and off). Why is this film set in Borat’s Kazakhstan? What was up with the extended nightvision scene? Is Griffin insane for being a Chris Kline apologist? Plus - Ben learns about the World Nomad Games of Central Asia!
Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram!
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To say this has aged poorly but talk about Rain Man being good of all things is a next level unhinged take almost feels like satire. It's a clown movie of a man portraying autism in nearly the worst way possible.
Nope this movie is still great including the over the top Pacino you're all wrong. I'd rather watch this 10 more times than Beverly Hills Cop that I watched recently because of this podcast and it was boring AF and has a caricature of performative queerness as comic relief.
This just made me want to watch this movie again
the 13th warrior IS ok.
58:17 Thank you David!
26:45 Force-dyed
I guess I misunderstood this podcasts mission statement. Boyz In the Hood put Singleton on the map. Wouldn't Higher Learning be his blank check feature?
Couldn't agree more.
az
1:15:19 is the magic moment.
Incredible movie. Just rewatched it and did a what if... When Mac talks to Bromley when he's about to be locked in the shed. He drinks some vodka and leaves the bottle. What if Mac's the Thing and transfers it to Bromley through the vodka? Not a new take I guess but it made me reevaluate it, again which is always good.
it's hilarious because as they were wrapping up i was thinking, "aw what a shame this is such a short episode..." false. it's just shorter than 3 hours
John Carpenter next!
I'm not quite sure if you guys read comments from this app but thank you so so much for everything you guys are heroes. Been listening for years and Elaine May is a favourite of mine. Love. the. two. friends. and. the. hoz.
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right around that 20min mark griffin really submitted his best try at giving me a fucking heart attack... i kept switching whether I thought it was a real apology or an ad read (and thank god it was ad )
Blank it. Thank it.
Funny story from this episode! My daughter played the Samantha Mathis character in the Johnny Depp episode of The Price of Fame! I guess the song is right!! It's a small world after all....... 😂😂
My vote for "Ben's Choice" is Joe Dirt!! That movie is my "guilty pleasure" movie. It is one of the movies that made me laugh the hardest with "I'm your sister". And that movie never fails to bring a tear to my eye. When a movie can claim those three milestones, it has to be covered by Ben, Griffin and David!!!! You may have already done it but I am late to the party and am listening in order. I think that might make me a completist......... 😁😁
Wait!! Didn't they make the Road Rash movie!?!? They just named it Torque instead....... 😂😂😂