Close Readings

In the fifth episode of Among the Ancients II we turn to Greek lyric, focusing on Pindar’s victory odes, considered a benchmark for the sublime since antiquity, and the vivid, narrative-driven dithyrambs of Bacchylides. Through close reading, Emily and Tom tease out allusions, lexical flourishes and formal experimentation, and explain the highly contextual nature of these tightly choreographed, public-facing poems. They illustrate how precarious work could be for a praise poet in a world driven by competition – striking the right note to please your patron, guarantee the next gig, and stay on good terms with the gods.This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsEmily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

Fabliaux were short, witty tales originating in northern France between the 12th and 14th centuries, often featuring crafty characters in rustic settings and overwhelmingly concerned with money and sex. In this episode Irina and Mary look at two of these comic verses, both containing surprisingly explicit sexual language, and consider the ways in which they influenced Boccaccio, Chaucer and others.Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series Medieval Beginnings:Directly in Apple Podcasts: https://lrb.me/medlolapplesignupIn other podcast apps: https://lrb.me/medlolscsignupGet in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

In the fourth episode of Human Conditions, the last of the series with Judith Butler, we fittingly turn to The Human Condition (1956). Hannah Arendt defines action as the highest form of human activity: distinct from work and labour, action includes collaborative expression, collective decision-making and, crucially, initiating change. Focusing on the chapter on action, Judith joins Adam to explain why they consider this approach so innovative and incisive. Together, they discuss Arendt’s continued relevance and shortcomings, The Human Condition’s many surprising and baffling turns, and the transformative power of forgiveness.This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsJudith Butler is Distinguished Professor in the Graduate School at the University of California, Berkeley, and Adam Shatz is the the LRB's US editor and author of, most recently, The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon.Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

According to one contemporary, the Earl of Rochester was a man who, in life as well is in poetry, ‘could not speak with any warmth, without repeated Oaths, which, upon any sort of provocation, came almost naturally from him.’ It’s certainly hard to miss Rochester's enthusiastic use of obscenities, though their precise meanings can sometimes be obscure. As a courtier to Charles II, his poetic subject was most often the licentiousness and intricate political manoeuvring of the court’s various factions, and he was far from a passive observer. In this episode Clare and Colin consider why Restoration England was such a satirical hotbed, and describe the ways in which Rochester, with a poetry rich in bravado but shot through with anxiety, transformed the persona of the satirist.This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsColin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

Yeats’s great poem about the uprising of Irish republicans against British rule on 24 April 1916 marked a turning point in Ireland’s history and in Yeats's career. Through four stanzas Yeats enacts the transfiguration of the movement’s leaders – executed by the British shortly after the event – from ‘motley’ acquaintances to heroic martyrs, and interrogates his own attitude to nationalist violence. Mark and Seamus discuss Yeats’s reflections on the value of political commitment, his embrace of the role of national bard and the origin of the poem’s most famous line.Sign up to the Close Readings subscription to listen ad free and to all our series in full:Directly in Apple PodcastsIn other podcast appsRead more in the LRB:Terry Eagleton: www.lrb.co.uk/the-paper/v16/n13/terry-eagleton/spookyColm Tóibín:www.lrb.co.uk/the-paper/v38/n07/colm-toibin/after-i-am-hanged-my-portrait-will-be-interestingFrank Kermode:www.lrb.co.uk/the-paper/v19/n06/frank-kermode/what-he-didTom Paulin:www.lrb.co.uk/the-paper/v08/n06/tom-paulin/dreadful-sentiments Hosted on Acast. See acast.com/privacy for more information.

Some of the most compelling stories of the Classical world come from Herodotus‘ Histories, an account of the Persian Wars and a thousand things besides. Emily and Tom chart a course through Herodotus‘ history-as-epic, discussing how best to understand his approach to history, ethnography and myth. Exploring a work full of surprising, dramatic and frequently funny digressions, this episode illustrates the artfulness and deep structure underpinning the Histories, and, despite his obvious Greek bias, Herodotus‘ genuine interest in and respect for cultural difference.This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsEmily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

Riddles are an ancient and universal form, but few people seem to have enjoyed them more than English Benedictine monks. The Exeter Book, a tenth century monastic collection of Old English verse, builds on the riddle tradition in two striking ways: first, the riddles don’t come with answers; second, they are sexually suggestive. Were they intended to test the moral purity of the reader? Are they simply mischievous rhetorical exercises? Mary and Irina read some of them and consider why Anglo-Saxon culture was so obsessed with the enigmatic.Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series Medieval Beginnings:Directly in Apple Podcasts: https://lrb.me/medlolapplesignupIn other podcast apps: https://lrb.me/medlolscsignupRead more in the LRB:Marina Warner: Doubly DamnedMary Wellesley: Marking ParchmentBarbara Everett: Poetry and Soda Hosted on Acast. See acast.com/privacy for more information.

Begun as a psychiatric dissertation, Frantz Fanon’s Black Skin, White Masks (1952) became a genre-shattering study of antiblack racism and its effect on the psyche. At turns expressionistic, confessional, clinical, sharply satirical and politically charged, the book is dazzlingly multivocal, sometimes self-contradictory but always compelling. Judith Butler and Adam Shatz, whose biography of Fanon was released in January, chart a course through some of the most explosive and elusive chapters of the book, and show why Fanon is still essential reading.This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsJudith Butler is Distinguished Professor in the Graduate School at the University of California, Berkeley, and Adam Shatz is the the LRB's US editor and author of, most recently, The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon.Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

What did English satirists do after the archbishop of Canterbury banned the printing of satires in June 1599? They turned to the stage. Within months of the crackdown, the same satirical tricks Elizabethans had read in verse could be enjoyed in theatres. At the heart of the scene was Ben Jonson, who for many centuries has maintained a reputation as the refined, classical alternative to Shakespeare, with his diligent observance of the rules extracted from Roman comedy. In this episode, Colin and Clare argue that this reputation is almost entirely false, that Jonson was as embroiled in the volatile and unruly energies of late Elizabethan London as any other dramatist, and nowhere is this more on display than in his finest play, Volpone.This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsColin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

In their second episode, Mark and Seamus look at W.H. Auden's ‘Spain’. Auden travelled to Spain in January 1937 to support the Republican efforts in the civil war, and composed the poem shortly after his return a few months later to raise money for Medical Aid for Spain. It became a rallying cry in the fight against fascism, but was also heavily criticised, not least by George Orwell, for the phrase (in its first version) of ‘necessary murder’. Mark and Seamus discuss the poem’s Marxist presentation of history, its distinctly non-Marxist language, and why Auden ultimately condemned it as ‘a lie’.Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.Sign up to the Close Readings subscription to listen ad free and to all our series in full:Directly in Apple PodcastsIn other podcast appsRead more in the LRB:Seamus Heaney: Sounding AudenAlan Bennett: The Wrong BlondSeamus Perry: That's what Wystan says Hosted on Acast. See acast.com/privacy for more information.

Supposedly an enslaved man from sixth-century Samos, Aesop might not have ever really existed, but the fables attributed to him remain some of the most widely read examples of classical literature. A fascinating window into the ‘low’ culture of ancient Greece, the Fables and the figure of Aesop appear in the work of authors as diverse as Aristophanes, Plato and Phaedrus, serving new purposes in new contexts. Emily and Tom discuss how Aesop’s fables as we know them came to be, make sense of their moral contradictions and unpack some of the fables that are most opaque to modern readers.This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsEmily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

All teachers know that the best way for students to learn a language is through swear words, and nobody knew this better than Aelfric Bata, a monk from Winchester whose Colloquies, compiled in around the year 1000, instructed pupils to swear in Latin with elaborate and vivid fluency. Mary and Irina work through some of Aelfric’s fruitier dialogues, and ask whether his examples can be taken purely in good humour.Sign up to listen to this series ad free and all our subscriber series, including Mary and Irina's 12-part series Medieval Beginnings:Directly in Apple Podcasts: https://lrb.me/medlolapplesignupIn other podcast apps: https://lrb.me/medlolscsignupWatch a video version of this podcast on our YouTube channel hereGet in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

Judith Butler joins Adam Shatz to discuss a landmark in feminist thought, Simone de Beauvoir’s The Second Sex (1949). Dazzling in its scope, The Second Sex incorporates anthropology, psychology, historiography, mythology and biology to ask an ‘impossible’ question: what is a woman? Focusing on three key chapters, Adam and Judith navigate this dense and dizzying book, exploring the nuances of Beauvoir’s original French phrasing and drawing on Judith’s own experiences teaching and writing about the text. They discuss the book’s startling relevance as well as its stark limitations for contemporary feminism, Beauvoir’s refusal to call herself a philosopher, and the radical possibilities released by her claim that one is not born, but rather becomes, a woman.This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsJudith Butler is Distinguished Professor in the Graduate School at the University of California, Berkeley, and Adam Shatz is the LRB's US editor and author of, most recently, The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon.Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

In their second episode, Colin and Clare look at the dense, digressive and often dangerous satires of John Donne and other poets of the 1590s. It’s likely that Donne was the first Elizabethan author to attempt formal verse satires in the vein of the Roman satirists, and they mark not only the chronological start of his poetic career, but a foundation of his whole way of writing. Colin and Clare place the satires within Donne’s life and times, and explain why the secret to understanding their language lies in the poet's use of the ‘profoundly unruly parenthesis’.This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsColin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

In the first episode of their new Close Readings series on political poetry, Seamus Perry and Mark Ford look at ‘An Horatian Ode upon Cromwell’s Return from Ireland’ by Andrew Marvell, described by Frank Kermode as ‘braced against folly by the power and intelligence that make it possible to think it the greatest political poem in the language’.Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.Sign up to the Close Readings subscription to listen ad free and to all our series in full:Directly in Apple PodcastsIn other podcast appsRead the poem hereFurther reading in the LRB:Blair Worden: Double TonguedFrank Kermode: Hard LabourDavid Norbrook: Political VerseGet in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

Emily Wilson and Thomas Jones kick off their second season of Among the Ancients with a return to the eighth century BCE, exploring the poems of Homer’s near contemporary, Hesiod, the first western writer to craft a poetic persona. In Works and Days, brilliantly translated by A.E. Stallings, Hesiod weaves his personality into a narrative that encompasses everything from brotherly bickering to cosmic warfare. Emily and Tom unpack this wildly entertaining window into Ancient Greek life, and discuss how Stallings’s translation highlights the humour and linguistic flavour of the original text.This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsFind out about Close Readings Plus: lrb.me/plusEmily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

Were the Middle Ages funny? In this bonus Close Readings series running throughout this year, Irina Dumitrescu and Mary Wellesley begin their quest for the medieval sense of humour with Chaucer’s 'Miller’s Tale', a story that is surely still (almost) as funny as when it was written six hundred years ago. But who is the real butt of the joke? Mary and Irina look in detail at the mechanics of the plot and its needless but pleasurable complexity, and consider the social significance of clothes and pubic hair in the tale.Sign up to the Close Readings subscription to listen ad free and to all our series in full:Directly in Apple Podcasts: https://lrb.me/medlolapplesignupIn other podcast apps: https://lrb.me/medlolscsignupWatch a video version of this podcast on our YouTube channel hereGet in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

Judith Butler joins Adam Shatz for the first episode of Human Conditions to look at Jean-Paul Sartre’s 1946 book Anti-Semite and Jew, originally published in French as Réflexions Sur La Question Juive. Sartre’s ‘portraits’ of the ‘anti-Semite’ and the ‘Jew’, as he saw them, caused controversy at the time for directly confronting anti-Jewish bigotry in France and how Jewish people had been treated under the Vichy government and before the war.Judith and Adam discuss Sartre’s attempt to develop a philosophical understanding of this kind of hatred and the apparent moral satisfaction it brings, and his contentious suggestion that not only does the antisemite owe his identity to the Jew, but that 'the Jew' is a creation of the antisemitic gaze. They also consider some of the criticisms levelled at the book, such as its focus on the bourgeois personality, and Sartre’s definition of Jews in entirely negative terms.NOTE: This episode was recorded on 5 October 2023.This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsJudith Butler is Distinguished Professor in the Graduate School at the University of California, Berkeley, and Adam Shatz is the the LRB's US editor and author of, most recently, The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon.Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

Clare and Colin begin their twelve-part series on satire with the big question: what is satire? Where did it come from? Is it a genre, or more of a style, or an attitude? They then plunge into their first text, The Praise of Folly by Desiderius Erasmus, a prose satire from 1511 that lampoons pretty much the whole of sixteenth century life in the voice of Folly herself. This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsFind out about Close Readings Plus: lrb.me/plusColin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

In the final episode of The Long and Short, we turn to Elizabeth Bowen, widely considered one of the finest writers of the short story. Mark and Seamus unpack ‘the Bowen effect’ and her singularly haunting style: subtle social commentary cut through with humour, and occasionally outright romanticism. A culmination of the short fiction explored in this series, Bowen’s work proves that life ‘with the lid on’ can be just as exhilarating, moving and funny as any sensationalist story.This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:Directly in Apple Podcasts here: https://apple.co/3pJoFPqIn other podcast apps here: lrb.me/closereadingsThe 2024 series of Close Readings Plus are now on sale: lrb.me/plusMark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford. Hosted on Acast. See acast.com/privacy for more information.