Every Voice with Terrance McKnight
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There are many different kinds of classical music, depending on where you are in the world. While this music typically preserves the traditions of a given society, classical music in America remains wedded to its Western European roots. On this show, we want to know why — and what America’s classical music really sounds like. Through interviews, historical investigation, and personal storytelling, Terrance McKnight unearths the hidden voices that have been shaping our musical traditions all along.
Our debut season examines the representation of Blackness in opera. While character flaws are universal, stereotypes often fall along racial lines. We look at the loneliness, jealousy, self-loathing, and cultural appropriation associated with African characters in 18th and 19th century operas by Mozart and Verdi, and we introduce the African-American personalities found in the operas of Atlanta-based composer Dr. Sharon Willis.
A Radio Special: Mozart’s "Abduction from the Seraglio"
A Radio Special: Verdi’s "Aida”
A Radio Special: Verdi's "Otello"
A Radio Special: Mozart’s "The Magic Flute"
Abduction from the Seraglio: Revelations
Abduction from the Seraglio: A Blind Eye
Abduction from the Seraglio: A Dream Interrupted
Abduction from the Seraglio: Freedom and Justice for Some
Aida: America’s Confederates in Egypt
Aida: 100% Egyptian Cotton
Aida: Off the Chain
Aida: Red Heart, White Eyes
Otello: The North Star
Otello: Black Handkerchiefs Matter
The Magic Flute: Recycling
The Magic Flute: He Said, She Said
The Magic Flute: Invisible Man