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GOOD OL' GRATEFUL DEADCAST

Author: Grateful Dead

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“The Good Ol’ Grateful Deadcast,” the official Grateful Dead podcast, is a series devoted to exploring the music and mythology behind one of the most enduring, progressive, and influential bands in the history of recorded music. The podcast’s tagline is “For The Committed And The Curious,” as episodes will invite new fans to explore the band’s enormous mythology in digestible chunks and enlighten life-long Dead Heads about corners of the band’s history they never knew existed. No topic will be off limits on “The Good Ol’ Grateful Deadcast” as hosts Rich Mahan and Jesse Jarnow explore the band’s outrageous history, innovations, and impact from 1965 to today.

10 Episodes
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DESCRIPTION: In our packed season finale, we explore how “Casey Jones” combined folk traditions and became an underground hit too risque for pop radio, hear a break down of the multi-track, discuss the infamous sniff and other Workingman’s Dead’s finishing touches with co-producer Bob Matthews, figure out the location and date of the cover photo, and more.GUESTS: Bob Matthews, Brian Kehew, Billy Strings, Bob Egan, Gary Lambert, David Lemieux, Michael Parrish
DESCRIPTION: We explore how “Easy Wind” was the only song on Workingman’s Dead sung by Pigpen and the first Dead tune solely written by lyricist Robert Hunter, featuring rarely heard radio promo spots recorded by Hunter.GUESTS: Bob Matthews, Rhoney Stanley, Eric Schwartz, Gary Lambert, David Lemieux, Mike Johnson, Brian Kehew
DESCRIPTION: With special guests Graham Nash and Rhoney Stanley, our dive into the Grateful Dead’s Workingman’s Dead examines how a mishap with an estimated $50,000 worth of LSD led to both the writing of “Black Peter,” perhaps the Grateful Dead’s most somber song, and turned Jerry Garcia into a Crosby, Stills and Nash fan.GUESTS: Rhoney Stanley, Graham Nash, Bob Matthews, Gary Lambert, Shaugn O’Donnell, Buzz Poole
DESCRIPTION: A very Jerry bonus episode explores Jerry Garcia’s early ‘60s years in the Palo Alto folk scene and his progression from guitar strummer to banjo picker during a prodigious half-decade before going electric with the Grateful Dead, including interviews with David Nelson and Bob Matthews, both one-time members of Mother McCree’s Uptown Jug Champions.GUESTS: David Nelson, Bob Matthews, Nicholas Meriwether, Dennis McNally
DESCRIPTION: We flip sides on the Grateful Dead’s Workingman’s Dead and explore why “Cumberland Blues” is a much stranger song than it might seem, chart the transformation into the so-called Bakersfield Dead, and--in an extended interview--hear how new tour manager Sam Cutler helped the band turn themselves into a real-life workingman’s Dead during one of the most tumultuous and pivotal moments in their history.GUESTS: Sam Cutler, Shaugn O’Donnell, Bob Matthews, David Nelson, Gary Lambert, Mike Johnson
We explore “New Speedway Boogie,” the last song on Side 1 of the Grateful Dead’s Workingman’s Dead, examining how the song grew from the disastrous 1969 free festival at Altamont headlined by the Rolling Stones, and listen to never-heard session outtakes from “Mason’s Children.” GUESTS: Bob Matthews, Sam Cutler, Gary Lambert, David Lemieux, Buzz Poole, Mike Johnson, Brian Kehew
Our close listen to the Grateful Dead’s remastered Workingman’s Dead 50th anniversary edition continues with “Dire Wolf.” Album co-producer Bob Matthews reveals recording tricks. With David Nelson of the New Riders of the Purple Sage, we get a look inside Jerry Garcia’s living room as he learns how to play pedal steel guitar. We untangle the connections between “Dire Wolf,” the Zodiac Killer, and Sherlock Holmes to figure out the exact date the song was written, examine session outtakes from the Angel’s Share, hear from bluegrass phenom and Dead fan Billy Strings, discuss how “Dire Wolf” is only one of many connections between the Dead and Game of Thrones writer George RR Martin, and debut a "Dire Wolf" supercut.GUESTS: David Nelson, Bob Matthews, Billy Strings, Jeffrey Alexander, David Lemieux, Gary Lambert, Brian Kehew, Mike Johnson
The Grateful Dead’s masterpiece Workingman’s Dead song by song. For “High Time,” we look behind the purple door of Pacific High Recording with co-producer Bob Matthews and tour manager Sam Cutler, examine session outtakes and tape mysteries with Brian Kehew and Mike Johnson, and explore how “High Time” was a songwriting breakthrough for Jerry Garcia and his new housemate, lyricist Robert Hunter.
The first of our ongoing surprise BEAR DROPS, exploring the life and legacy of Owsley Stanley, the pioneer underground LSD chemist as well as trailblazing sound engineer for the Grateful Dead. With Bear’s son Starfinder, partner Rhoney, and Hawk Semins of the Owsley Stanley Foundation, we explore Bear’s singular personality, the hi-fi origins of the Dead’s quest for sound, and how Owsley was the inspiration for two of the Dead’s most potent symbols, the skull-and-lightning bolt Steal Your Face logo and the omnipresent dancing bears, seen everywhere and beyond, most lately on Nike’s NikeSB Dunk Low Pro ‘Grateful Dead’ sneakers.
Join us for deep dig into the rich history of WORKINGMAN’S DEAD with album co-producer Bob Matthews and others, beginning with a close listen to “Uncle John’s Band,” including its surprising roots in jazz history and Macedonian choral music, a further look into the session outtakes, and the story of the real-life Uncle John.
Comments (1)

tlc jr

i had the distinct pleasure of interviewing Sam on a radio show a decade or so ago when his book came out. It was one of my all-time favorite interviews in 30+ years of radio. So awesome to hear him again. Love the podcast and hoping you'll do all of the albums. 🤘

Aug 11th
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