Claim OwnershipLittle Gold Men by Vanity Fair
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Little Gold Men is the inside story of Hollywood, from awards shows and red-carpet premieres to the hard work and whisper campaigns that get people there. Weekly episodes feature obsessive, expert conversations about the best of television and film, with special guest appearances from stars, creators, and critics. LGM also dives deep into Oscar history, and offers insight into all the other awards that make up Hollywood’s continual dash toward glitz and glory.
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William Hurt made history in 1985 as the first person to win a best actor Oscar for playing a gay character in Kiss of the Spider-Woman—but, as you might guess, the film's legacy has only become more complex since then. Plus, Richard Lawson and Chris Murphy join guests Esther Zuckerman and Jackson McHenry for a deep dive on the Tonys season, and fearless predictions about who will prevail at Sunday night's awards.
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Our editor and producer is Brett Fuchs.
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When Dominique Fishback was first offered a role on the Prime Video series Swarm, she said no — and after talking to co-creator Donald Glover, she wound up with the lead instead. That's just one of many ways, she tells David Canfield, that she's betting on herself these days. And for Paul Walter Hauser, the experience of embodying a serial killer on the Apple series Black Bird stuck with him so deeply that he changed his entire life, including getting sober. He tells Rebecca Ford about the role's impact on his life, and the surreal awards season that has already followed.
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A look back at the 1932 best picture nominee and what might be the definitive role for the gender-bending star. Plus, some final Cannes thoughts, some solutions for the Oscars' acting category problems, and why spring TV has felt so crowded.
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The writer and director of Past Lives reveals how a specific moment from her life — sitting at a bar with her husband and childhood sweetheart— led to her Sundance-winning new film, out in theaters this week. Then, the Barry star digs deep on the finale —spoilers ahead! — and what he'd do with his Emmy if he had the neck strength for it.
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1Richard and Rebecca call in from Cannes to share the films they're most excited about — and, of course, which ones might be the most likely to be part of this year's Oscar race. Plus, a discussion about David's report on the push for gender-neutral acting awards, and why it's worth the fight.
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The director of the FX documentary series reveals what surprised her when she sat down with disgraced pastor Carl Lentz and his wife, Laura. Then, the comedian and star of both Party Down and The Other Two shares the secret to a good pratfall, even in your 50s.
Read more of Vanity Fair's Hillsong coverage: https://www.vanityfair.com/topic/hillsong
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The prestigious French film festival is underway, and if the past few years are any indication there are a handful of future Oscar contenders lying in wait. Plus, a look at the the WGA strike's impact on the Peabody and Tony Awards, and a celebration of the character actors who can only be described with two words: Always Great.
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Our editor and producer is Brett Fuchs.
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Fresh off Connor Roy's election night disappointment, Alan Ruck reflects on four seasons of Succession and how to move on toward something new. Then, Beef star and executive producer Steven Yeun reveals on how he drew on his own childhood for his role as Danny, and what kind of future he imagines for the character in potential future seasons.
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Our editor and producer is Brett Fuchs.
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In honor of AAPI Heritage Month, a look back at 1961's Flower Drum Song, a Rodgers and Hammerstein musical that was the first major Hollywood film to star an almost entirely Asian and Asian-American cast— and the last one for decades. Plus, updates on the status of the WGA strike and a look at promising series Yellowjackets and A Small Light.
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Our editor and producer is Brett Fuchs.
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Broadway icon Patti LuPone is less interested in the stage than the screen these days— and in Ari Aster's new film Beau Is Afraid, she tells Richard Lawson, she found the mammoth challenge she was looking for. And for Jason Segel, who is currently on strike alongside the rest of the WGA, it's a little tricky to talk about the Apple series he co-created, Shrinking, as he tells Rebecca Ford. But his experience on that show as an actor, including watching Harrison Ford improvise, makes for some excellent storytelling all the same.
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Our editor and producer is Brett Fuchs.
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The writers strike has already transformed Hollywood, and VF’s Natalie Jarvey joins to explain why the changes are only beginning. Plus, a close look at the new Oscar campaigning rules in the wake of the To Leslie scandal, and the highs and lows of the Tony nominations.
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Michael Shannon has had as varied a career as you can imagine, and with roles in the limited series George and Tammy and Waco as well as in the upcoming The Flash, he's still learning what he can do, as he tells David Canfield. Then, Betty Gilpin gets a little more spoilery about her new series Mrs. Davis, which is about a nun battling an all-powerful A.I. but also way, way more than that.
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Richard Lawson shares his ongoing list of the best movies of the year thus far. Plus, a look at spring breakout hits like The Diplomat and Dead Ringers, the controversy behind the scenes of Beef, a date for next year's Oscars, and more.
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David Canfield talks to Lizzy Caplan, who had the same hesitation anyone would about telling a new version of Fatal Attraction— but relished the opportunity to find nuances in the story that weren't part of the 1987 classic. Then, Hillary Busis talks to director Kelly Fremon Craig, who adapts Judy Blume's YA classic Are You There God? It's Me, Margaret by drawing on some of her own awkward, hilarious adolescent experiences.
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You Must Remember This host Karina Longworth joins for a conversation about her new miniseries Erotic 90s and the episode on Thelma & Louise. Plus a look at the Cannes lineup, Beef's surprising hop across Emmy categories, and first looks at All the Light You Cannot See and the new season of Couples Therapy.
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Our editor and producer is Brett Fuchs.
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The actress was born into a musical legacy, but had never pursued it onscreen until Daisy Jones and the Six, which she auditioned for by singing in a voice memo alongside her husband. Keough tells Rebecca Ford about how badly she wanted to play Daisy, and the personal and health challenges that made it an even greater challenge than she'd imagined.
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Our editor and producer is Brett Fuchs.
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It may have gotten a little bit easier for at least some members of the massive Succession ensemble to position themselves for awards. Plus, a look at changes within the Golden Globe ranks and the return of Barry.
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Our editor and producer is Brett Fuchs.
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The globetrotting Andor star tells David Canfield he is so committed to the show, and his character, that he basically plays him twice — once in English, and once for the Latin American Spanish dub. Then, Rebecca Ford catches up with the Rings of Power star about her mysterious — and life-changing— audition to play Galadriel.
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Our editor and producer is Brett Fuchs.
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A look at the Academy's recent changes, and which ones might lie ahead. Plus, news about the Cannes lineup, a Barbie frenzy, a look at Ari Aster's Beau Is Afraid and Ben Affleck's Air, and some talk about potential Emmy contenders Beef, Shrinking, and The Marvelous Mrs. Maisel.
Follow us on Twitter and Instagram @vfawardsinsider
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Our editor and producer is Brett Fuchs.
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First, Rebecca Ford catches up with the star of the breakout hit ABC series, who won a Golden Globe in January for his performance but says the SAG Award he shared with his entire cast was an even bigger moment. Then, Katey Rich talks to Kelly Reichardt, who reunites with her frequent star Michelle Williams for the art-school-set comedy Showing Up.
Follow us on Twitter and Instagram @vfawardsinsider
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Follow our hosts: @kateyrich, @rilaws, @beccamford, @davidcanfield97
Our editor and producer is Brett Fuchs.
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