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The 2004 presidential race would be the first fully Fox News election—a contest that was framed by Fox, and fought on its terms. But the fight over Fox News was about more than just partisan politics. It also launched covert ops against reporters and let loose a secret army of online trolls. And when a Fox producer made serious allegations against Bill O’Reilly, the network showed just how far it would go to defend its biggest star—no matter the cost. To read our full reporting on the most recent legal actions between Bill O'Reilly and Andrea Mackris, and learn more about how a non-disclosure agreement from two decades ago has kept Mackris silent, go to slate.com/foxnda. Want more from Slow Burn? Join Slate Plus to unlock full access to all seasons, including members-only bonus episodes from The Rise of Fox News. You'll also enjoy ad-free listening to all of your favorite Slate podcasts. Subscribe now by clicking "Try Free" at the top of the Slow Burn show page on Apple Podcasts. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 10 of Slow Burn was written and reported by Josh Levin. It was executive produced by Lizzie Jacobs. Slow Burn is produced by Sophie Summergrad, Joel Meyer, and Rosie Belson with help from Patrick Fort, Jacob Fenston, and Julia Russo.  Derek John is Slate’s executive producer of narrative podcasts. This season was edited by Susan Matthews and Hillary Frey. Merritt Jacob is our senior technical director. Mix and sound design by Joe Plourde.  Our theme music was composed by Alexis Cuadrado. Derreck Johnson created the artwork for this season. Episode artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

As Fox News gathered strength, progressive activists turned to comedian Al Franken and fledgling online communities to punch back. But could the left put up a real fight without a Fox News of its own? And what did Fox’s critics miss when they focused only on its politics? Want more from Slow Burn? Join Slate Plus to unlock full access to all seasons, including members-only bonus episodes from The Rise of Fox News. You'll also enjoy ad-free listening to all of your favorite Slate podcasts. Subscribe now by clicking "Try Free" at the top of the Slow Burn show page on Apple Podcasts. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 10 of Slow Burn was written and reported by Josh Levin. It was executive produced by Lizzie Jacobs. Slow Burn is produced by Sophie Summergrad, Joel Meyer, and Rosie Belson with help from Patrick Fort, Jacob Fenston, and Julia Russo.  Derek John is Slate’s executive producer of narrative podcasts. This season was edited by Susan Matthews and Hillary Frey. Merritt Jacob is our senior technical director. Mix and sound design by Joe Plourde.  Our theme music was composed by Alexis Cuadrado. Derreck Johnson created the artwork for this season. Episode artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

After 9/11, the Fox News Channel rallied a huge portion of the country around the Bush administration’s vision of the world. But as the U.S. marched to war in the Middle East, journalists, liberal watchdogs, and comedians began pushing back. Could The Daily Show, Fox News’ own liberal pundits, or an employee-turned-whistleblower take Fox down a peg? Want more from Slow Burn? Join Slate Plus to unlock full access to all seasons, including members-only bonus episodes from The Rise of Fox News. You'll also enjoy ad-free listening to all of your favorite Slate podcasts. Subscribe now by clicking "Try Free" at the top of the Slow Burn show page on Apple Podcasts. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 10 of Slow Burn was written and reported by Josh Levin. It was executive produced by Lizzie Jacobs. Slow Burn is produced by Sophie Summergrad, Joel Meyer, and Rosie Belson with help from Patrick Fort, Jacob Fenston, and Julia Russo.  Derek John is Slate’s executive producer of narrative podcasts. This season was edited by Susan Matthews and Hillary Frey. Merritt Jacob is our senior technical director. Mix and sound design by Joe Plourde.  Our theme music was composed by Alexis Cuadrado. Derreck Johnson created the artwork for this season. Episode artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

For a decade and a half, CNN was peerless and ambitious, and it understood its place in the world. At least, it thought it did—until Fox News burst onto television screens. Could CNN save itself by becoming conservative or by going tabloid? And how would CNN and Fox respond when September 11 made the news more important than ever? Want more from Slow Burn? Join Slate Plus to unlock full access to all seasons, including members-only bonus episodes from The Rise of Fox News. You'll also enjoy ad-free listening to all of your favorite Slate podcasts. Subscribe now by clicking "Try Free" at the top of the Slow Burn show page on Apple Podcasts. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 10 of Slow Burn was written and reported by Josh Levin. It was executive produced by Lizzie Jacobs. Slow Burn is produced by Sophie Summergrad, Joel Meyer, and Rosie Belson with help from Patrick Fort, Jacob Fenston, and Julia Russo.  Derek John is Slate’s executive producer of narrative podcasts. This season was edited by Susan Matthews and Hillary Frey. Merritt Jacob is our senior technical director. Mix and sound design by Joe Plourde.  Our theme music was composed by Alexis Cuadrado. Derreck Johnson created the artwork for this season. Episode artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

Before he ran Fox News, Roger Ailes launched a very different kind of channel. America’s Talking was his vision of the future of television: a strange, slapdash, mostly apolitical cable network. When that dream got snatched away from him, Ailes went on a revenge mission—and made a connection with Rupert Murdoch. Want more from Slow Burn? Join Slate Plus to unlock full access to all seasons, including members-only bonus episodes from The Rise of Fox News. You'll also enjoy ad-free listening to all of your favorite Slate podcasts. Subscribe now by clicking "Try Free" at the top of the Slow Burn show page on Apple Podcasts. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 10 of Slow Burn was written and reported by Josh Levin. It was executive produced by Lizzie Jacobs. Slow Burn is produced by Sophie Summergrad, Joel Meyer, and Rosie Belson with help from Patrick Fort, Jacob Fenston, and Julia Russo.  Derek John is Slate’s executive producer of narrative podcasts. This season was edited by Susan Matthews and Hillary Frey. Merritt Jacob is our senior technical director. Mix and sound design by Joe Plourde.  Our theme music was composed by Alexis Cuadrado. Derreck Johnson created the artwork for this season. Episode artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

When the Fox News Channel launched in 1996, critics called it disorganized, incompetent, and laughably inept. But it wouldn’t be a joke for long. During the 2000 election, Fox News would captivate the nation – and just maybe change the fate of American democracy. Want more from Slow Burn? Join Slate Plus to unlock full access to all seasons, including members-only bonus episodes from The Rise of Fox News. You'll also enjoy ad-free listening to all of your favorite Slate podcasts. Subscribe now by clicking "Try Free" at the top of the Slow Burn show page on Apple Podcasts. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 10 of Slow Burn was written and reported by Josh Levin. It was executive produced by Lizzie Jacobs. Slow Burn is produced by Sophie Summergrad, Joel Meyer, and Rosie Belson with help from Patrick Fort, Jacob Fenston, and Julia Russo.  Derek John is Slate’s executive producer of narrative podcasts. This season was edited by Susan Matthews and Hillary Frey. Merritt Jacob is our senior technical director. Mix and sound design by Joe Plourde.  Our theme music was composed by Alexis Cuadrado. Derreck Johnson created the artwork for this season. Episode artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

Anita Hill’s accusations launched urgent and heated conversations about racism and sexual harassment. They also stoked an anger in Clarence Thomas that’s never stopped raging. Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner. Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. This episode was edited by Josh Levin, Derek John, Sophie Summergrad, and Joel Meyer. Merritt Jacob is our senior technical director. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Clarence Thomas got nominated to the Supreme Court, his behavior during the 1980s would get put under a microscope. To understand who Thomas was then and who he is today, you need to hear how he treated the women he worked with. You also need to hear from the woman who knew him best during those critical years: his ex-girlfriend Lillian McEwen.  Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner. Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. This episode was edited by Josh Levin, Derek John, Sophie Summergrad, and Joel Meyer. Merritt Jacob is our senior technical director. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

Clarence Thomas went to Yale Law School because he thought it was a good fit for his left-wing politics. But when he got there, it seemed like all the white liberals thought he was only there because he was Black. The sting Thomas felt fueled a lifelong resentment of affirmative action. It also drew him to a group of conservatives who helped sharpen his political beliefs. Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner.   Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. This episode was edited by Josh Levin, Derek John, Sophie Summergrad and Joel Meyer. Merritt Jacob is Slate’s senior technical director. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

Growing up in Georgia, Clarence Thomas wanted to make his mark. His goal was to become his hometown’s first Black Catholic priest. But in the 1960s, he abandoned that dream. Instead, he embraced campus activism and the teachings of Malcolm X. Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner. Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. Editorial direction by Josh Levin, Derek John, and Joel Meyer. Merritt Jacob is Slate’s senior technical director. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

Harry Blackmun wasn’t Richard Nixon’s first choice to fill a vacancy on the Supreme Court. But after Blackmun was confirmed, he got the assignment of a lifetime: writing the majority opinion in Roe v. Wade. His approach to that case would have consequences he never imagined. Season 7 of Slow Burn is produced by Susan Matthews, Samira Tazari, Sophie Summergrad, and Sol Werthan. Derek John is Sr. Supervising Producer of Narrative Podcasts. Editorial direction by Josh Levin, Derek John, and Johanna Zorn. Merritt Jacob is our Technical Director. Our theme music is composed by Alexis Cuadrado. Artwork by Derreck Johnson based on a photo provided by Robert Wheeler. The season’s reporting was supported by a grant from the International Women’s Media Foundation’s Howard G. Buffett Fund for Women Journalists. Learn more about your ad choices. Visit megaphone.fm/adchoices

Soon after Ann Hill arrived at Yale Law School in 1968, she realized she was pregnant. Her options were limited: she could give birth—or get an illegal abortion. The decision she faced inspired her to take on Connecticut’s abortion ban. The legal battle that followed would set the stage for Roe v. Wade. Season 7 of Slow Burn is produced by Susan Matthews, Samira Tazari, Sophie Summergrad, and Sol Werthan. Derek John is Sr. Supervising Producer of Narrative Podcasts. Editorial direction by Josh Levin, Derek John, and Johanna Zorn. Merritt Jacob is our Technical Director. Our theme music is composed by Alexis Cuadrado. Artwork by Derreck Johnson based on a photo provided by Robert Wheeler. The season’s reporting was supported by a grant from the International Women’s Media Foundation’s Howard G. Buffett Fund for Women Journalists. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jack and Barbara Willke got their start on the Catholic speaking circuit talking about the pleasure of sex within marriage. Their daughter would convince them to shift their focus to another hot-button issue. The Willkes’ Handbook on Abortion, and the photographs they distributed along with it, would help kickstart the right-to-life movement. To see the cover of the Handbook on Abortion, some of the photos the Willkes used, and the brochure “Life or Death,” go to slate.com/handbook Season 7 of Slow Burn is produced by Susan Matthews, Samira Tazari, Sophie Summergrad, and Sol Werthan. Derek John is Sr. Supervising Producer of Narrative Podcasts. Editorial direction by Josh Levin, Derek John and Johanna Zorn. Merritt Jacob is our Technical Director. Our theme music is composed by Alexis Cuadrado. Artwork by Derreck Johnson based on a photo provided by Robert Wheeler. The season’s reporting was supported by a grant from the International Women’s Media Foundation’s Howard G. Buffett Fund for Women Journalists. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1970, 22-year-old Shirley Wheeler got an illegal abortion in Florida. When she refused to tell the police who performed the procedure, she was arrested and charged with manslaughter. In the months that followed, she’d be prosecuted and publicly condemned. She’d also become the unlikely face of the fight for reproductive rights. Season 7 of Slow Burn is produced by Susan Matthews, Samira Tazari, Sophie Summergrad, and Sol Werthan. Derek John is Sr. Supervising Producer of Narrative Podcasts. Editorial direction by Josh Levin, Derek John and Johanna Zorn. Mixing by Merritt Jacob and Kevin Bendis. Our theme music is composed by Alexis Cuadrado. Artwork by Derreck Johnson based on a photo provided by Robert Wheeler. The season’s reporting was supported by a grant from the International Women’s Media Foundation’s Howard G. Buffett Fund for Women Journalists. Learn more about your ad choices. Visit megaphone.fm/adchoices

Basketball star Isiah Thomas had an audacious plan to transform Detroit: asking criminals to stay on the good side of the law for 24 hours. Would “No Crime Day” set the city on a new path, or was it a recipe for failure? One Year is produced by Evan Chung, Sophie Summergrad, Sam Kim, Madeline Ducharme, and Josh Levin. Derek John is Sr. Supervising Producer of Narrative Podcasts and Merritt Jacob is Sr. Technical Director. Slate Plus members get to hear more about the making of One Year. Get access to extra episodes, listen to the show without any ads, and support One Year by signing up for Slate Plus for just $15 for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Trump isn’t happy with Fed chair Jay Powell’s take on his tariffs. Felix Salmon, Elizabeth Spiers and guest host Cardiff Garcia discuss the economic reasoning for why Powell is resisting the president’s demands to lower rates and what would happen if Trump finds a legal way to fire him. Then, the Trump administration is both gutting the IRS and potentially weaponizing it against Harvard. The hosts discuss the consequences of politicizing the agency. Finally, Trump’s trade war keeps escalating as China refuses to back down. Is there any chance for a good outcome? In the Slate Plus episode: Elon Musk’s Baby Brood Want to hear that discussion and hear more Slate Money? Join Slate Plus to unlock weekly bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ever since March 15, when three flights carrying hundreds of men who had been afforded zero due process left United States airspace and landed in El Salvador, American democracy has been hurtling toward an internal conflict that the federal judiciary would very much prefer to avoid, but just keeps getting more unavoidable. On this week’s Amicus podcast, Mark Joseph Stern is joined by Leah Litman for the first half of the show. They discuss how, faced with a Trump administration that claims the ability to rewrite the Constitution on the fly, denies the ability to follow court orders, and dangles the possibility of extending its lawlessness to renditioning American citizens to a foreign prison, the federal judiciary this week did what the Supreme Court failed to do last week: explicitly call out the regime’s lawless actions. Aptly, Leah’s new book, Lawless: How the Supreme Court Runs on Conservative Grievance, Fringe Theories, and Bad Vibes, comes out on May 13 and they discuss how the highest court’s enabling of Trump and MAGA more broadly has brought us to the constitutional precipice.  Next: In the six months since the re-election of Donald Trump, abortion and reproductive rights have been squished way below the fold, news-wise, obscured by an ever-mounting pile of terrifying headlines. But outside of the public glare, the legal landscape of reproductive rights has been shifting. Dahlia Lithwick talks to Mary Ziegler about her book Personhood: The New Civil War Over Reproduction.   Together, they examine how notions of fetal and embryonic personhood are fueling punitive actions against women, physicians, and those who provide or seek healthcare related to reproduction. Want more Amicus? Join Slate Plus to unlock weekly bonus episodes with exclusive legal analysis. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Amicus show page on Apple Podcasts and Spotify. Or, visit slate.com/amicusplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the FTC and Meta began a trial to determine if—by adding Instagram and WhatsApp to its portfolio with Facebook over a decade ago—the company became a monopoly in social media. If Meta loses, it could be forced to split up, losing Instagram—and its substantial ad revenue. Guest: Paresh Dave, senior writer at WIRED. Want more What Next TBD? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Emily Bazelon, John Dickerson, and David Plotz discuss the Trump administration’s ramped up attacks on Harvard and international students, the courts flirting with findings of contempt after the administration ignores and mocks court orders, and the ways the Trump tariffs and exemptions invite corruption and “swampiness.” For this week’s Slate Plus bonus episode, Emily, John, and David discuss the implications of the White House cutting the wire services seat from the press pool to explicitly punish the Associated Press.   In the latest Gabfest Reads, David talks with author Adam Higginbotham about his new book, Challenger: A True Story of Heroism and Disaster on the Edge of Space.   Email your chatters, questions, and comments to gabfest@slate.com. (Messages may be referenced by name unless the writer stipulates otherwise.)   Research by Emily Ditto Learn more about your ad choices. Visit megaphone.fm/adchoices

In an ongoing opioid epidemic, hospitals drug testing new mothers and their babies has an intuitive logic. But applied unequally, rife with false positives, and prone to disrupting those important early weeks, is it a best practice? Guest: Shoshana Walter, investigative reporter for The Marshall Project Want more What Next? Join Slate Plus to unlock full, ad-free access to What Next and all your  other favorite Slate podcasts. You can subscribe directly from the What Next show page on Apple Podcasts and Spotify. Or, visit slate.com/whatnextplus to get access wherever you listen. Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, Ethan Oberman, and Rob Gunther. Learn more about your ad choices. Visit megaphone.fm/adchoices