Tape Notes

Thanks to SoundBetter for supporting this episode of Tape Notes. SoundBetter is the world's leading music production talent marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers, and studio musicians in the industry. You can work with Billie Eilish's drummer, U2's mix engineer, or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists. Head to SoundBetter.com to find out more. In this special live episode, John heads to Mother Advertising to chat with returning guest SG Lewis about how he wrote, recorded, and produced his new album ‘AudioLust & HigherLove’.   Starting writing after taking ten days off music making and getting bored, Sam reflects on the times spent with his collaborators in the studio and on exotic retreats, sharing the sparks of songwriting inspiration that came from their stories and lives. In this all-round production masterclass, we’re treated to a deep dive into Sam’s process of updating sounds and processing techniques from past eras for a modern audience, as well as mixing tips including the best ways to make a kick and bass punch over iPhone speakers. Listen to find out why the phonetics of lyrics are so important, how to create a convincing fake vocoder, and what some of the most effective ways are to gain confidence as a singer when you’re not a singer.   Tracks discussed: Lifetime, Call On Me, Something About Your Love   LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes    Listen to ‘AudioLust & HigherLove’ here. Jasmine Records, PMR, Universal   Intro Music - Sunshine Buddy, Laurel Collective   GEAR MENTIONS Decimort Bit Crusher GEM Dopamine Plugin Native Instruments Transient Designer Native Instruments Komplete Oek Sound Soothe Oliver Loops Serato Sampler Sonnox Oxford Inflator Soundtoys Little Alterboy UAD API 20500 Compressor UAD Tape Emulation Waves CLA Guitar Plugin Waves H Delay Waves Doubler Waves API 2500 Compressor Valhalla Reverbs Xfer OTT Compressor Korg MS20 LinnDrum Oberheim OB6 Roland Juno Roland TR-909 Drum Machine Sequential Prophet 5 ZenDelay Pedal U87 Microphone Logic Logic ES1 Splice   OUR GEAR https://linktr.ee/tapenotes_ourgear   HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes   To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer Matt Purbrick - Production Assistant Guy Nicholls - Production Assistant George Durston - Production Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing  Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to SoundBetter for supporting this episode of Tape Notes. SoundBetter is the world's leading music production talent-marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers and studio musicians in the industry. You can work with Billie Eillish's drummer, U2's mix engineer or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists. Head to SoundBetter.com to find out more. In this episode, John heads to Miloco Studios to catch up with Charlie Puth about how he wrote, recorded and produced the album ‘CHARLIE’. Thinking back to the moments that sparked the initial ideas for each of his songs, Charlie talks us through how he translates the almost fully finished versions from his head to the DAW. From using auto-tune to satisfy his perfect pitch, to the simple chorus tricks he uses to help it all punch. As well as looking back to his early days on YouTube and social media, Charlie discusses how the platforms have evolved and their impact on the way he writes, allowing him to include so many people in his music making process.  Listen to find out what Monday would sound like if it was a song, which of his viral sounds was faked, and how to play guitar like you’re a pianist.   Tracks discussed: Light Switch, That’s Hilarious, Loser   LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes    Listen to ‘CHARLIE’ here. Atlantic Records   Intro Music - Sunshine Buddy, Laurel Collective   GEAR MENTIONS Waves NS1 Noise Suppressor iZotope VocalSynth Soundtoys Decapitator U-he Diva Antares Auto-Tune Native Instruments Kontakt Pre-Bass Native Instruments Kontakt Church Organ LFO Tool Valhalla Reverb Oberheim Synth Digital Thomas Penton Sample Pack Oliver Sample Pack Roland D-50 Synth Roland TR-808 Roland Juno 60 Splice Casio Keyboard Rhodes   OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer Matt Purbrick - Production Assistant Guy Nicholls - Production Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, John links up with Lizzy McAlpine and producers Philip Etherington and Ehren Ebbage, to talk about how they wrote, recorded, and produced Lizzy’s album ‘five seconds flat’.   Looking back at their time writing and recording in a makeshift Airbnb studio, Lizzy, Philip, and Ehren dig into their enormous archive of song versions (including John Mayer versions), talking through their process of chipping away at each track and shaping the sounds to match the core expression.    As well as highlighting exactly why parts of Lizzy’s performance are so key to the foundation of each song, we’re treated to backing vocal masterclasses, stories of secret weapon synths, and beats tied together with Philip’s mouldy can of nuts.    Listen to find out how to create sounds that are quietly big and impactful, why all U47s are not created equally, and why as a producer you first have to be an audience member.   Tracks discussed: an ego thing, ceilings, reckless driver LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Listen to ‘Five Seconds Flat’ here. Harbour Artists and Music, AWAL   Intro Music - Sunshine Buddy, Laurel Collective   GEAR MENTIONS Philip’s Can of Mixed Nuts Casio SK1 Korg CR4 Audio Technica Boundary Mics AKG C414 U47 Microphone Martin 00-17 Guitar Martin Guitars Nord Keyboard Rubber Bridge Guitar SSL Compressor Tree Audio Branch II   OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer Matt Purbrick - Production Assistant Guy Nicholls - Production Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing  Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to SoundBetter for supporting this episode of Tape Notes. SoundBetter is the world's leading music production talent marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers, and studio musicians in the industry. You can work with Billie Eilish's drummer, U2's mix engineer, or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists. Head to SoundBetter.com to find out more. In this episode, John reunites with Alex Crossan, a.k.a. Mura Masa, to talk about how he wrote, recorded and produced his latest album ‘Demon Time’.   Reflecting on the process of working out what a lockdown album would sound like and making the complete opposite of that, Alex shares his thoughts on controlling the vibe of a record while still managing to explore every random studio idea with each of his collaborators.   As well as giving us a tour of some of the weirdest sounds in his sample folder, Alex treats us to production gold, demonstrating some of the simplest yet most effective Garage tricks, and the ways in which he created the impression of fake DJ across the album.   Listen to find out how a citrus salad led to a revelation about frequencies, why if an idea’s making you laugh then that’s the right one to follow, and how to sneakily get people to write for your album in their own writing session.    Tracks discussed: demon time, hollaback bitch, e-motions LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes    Listen to ‘Demon Time’ here. Anchor Point Records, Polydor, Universal Music   Intro Music - Sunshine Buddy, Laurel Collective GEAR MENTIONS Soundiron Elysium Harp Arturia Analog Lab Moog DFAM Soyuz Microphones Hoover Synth Sound Ableton Operator Synth   OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk   HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer Matt Purbrick - Production Assistant Guy Nicholls - Production Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, John reunites with Fred Gibson, a.k.a. Fred Again.., at his house, to talk about how he wrote, recorded and produced the album ‘Actual Life 3 (January 1 - September 9 2022)’.   Reflecting on what’s been a very busy 18 months, Fred discusses how the success of the Actual Life series has had an impact on how and why he writes music. From the tricks he uses to keep his writing process fast and fun, to the moments his creativity was lost and the advice that came from Brian Eno to focus it.   As well as sharing demos written with The 1975 and sampling songs by his brother, Fred gets hands on with his explanations of the plugins and process he uses, treating us to live beat builds, piano demonstrations and examples of compression demonstrated through table drumming.   Listen to find out what Fred’s reaction to switching DAWs was, why you should put off any technical aspects of a track until the end, and why some people may call the harmonic modulations in his music ‘the work of the devil’.    Tracks discussed: Delilah (pull me out of this), Berwyn (all that I got is you), Kelly (end of a nightmare) LINKS TO EVERYTHING TAPE NOTES  linktr.ee/tapenotes    Listen to ‘Actual Life 3 (January 1 - September 9 2022)’. Atlantic Records, Warner Music   Intro Music - Sunshine Buddy, Laurel Collective   GEAR MENTIONS Expert Sleepers Spectral Conquest Samplr App  Pioneer Mixer and CDJs Logic Pro X Ableton Apple Wired Headphones   OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk   HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer George Durston - Production Assistant Matt Purbrick - Production Assistant Guy Nicholls - Production Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode John is joined by Vincent Fenton better known as FKJ (French Kiwi Juice) to talk about how he wrote, recorded and produced three tracks across his releases - ‘Time For A Change’, ‘Ylang Ylang’ and ‘Vincent’.   Giving us a glimpse at his musical journey through the years, Vincent reflects on each of the decisive elements that help characterise his signature sound, from location and significant life events, to his early homemade synth presets and sample libraries.    Alongside his tricks on how to bring electronic drums to life, and the different headspaces that help focus his music making, we hear thoughts on why limitations can be so exciting and how so often ‘bad’ pieces of gear create something that ‘amazing’ gear simply can’t.   Listen to find out how miniscule chord changes can drastically alter the emotion of a vocal line, what challenges come with moving your entire studio to the middle of the jungle in the Philippines, and why combining your adult and child minds can be the key to creativity.   Tracks discussed: So Much To Me, Ylang Ylang, Different Masks For Different Days LINKS TO EVERYTHING TAPE NOTES  linktr.ee/tapenotes    Listen to ‘V I N C E N T’ here AWAL Recordings   Listen to ‘Ylang Ylang’ here AWAL Recordings   Listen to ‘Time For A Change’ here Roche Musique   Intro Music - Sunshine Buddy, Laurel Collective   GEAR MENTIONS Native Instruments - The Gentleman Native Instruments Kontakt Soundtoys Radiator Soundtoys Little Plate Soundtoys Echoboy Soundtoys Filter Freak Soundtoys Bundle Antares Choir Schoeps MK41  Schoeps CMC6  Neumann TLM 102 WMD Chimera Percussion Module  Ableton   OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk   HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer Andy Tindall - Videographer George Durston - Production Assistant Matt Purbrick - Production Assistant Guy Nicholls - Production Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, John is joined by Jamie T and producer Hugo White at Miloco’s The Yard Studio, to talk about how they wrote, recorded and produced the album ‘The Theory of Whatever’.   Alongside all the difficult musical decisions they made to keep the character of each song, we hear tales from the studio of sneakily replacing guitar parts and the challenges that come when there are a lot of big egos floating around.   Listen to find out why the album was almost named after Matt Maltese, why throwing your hat on the floor is sometimes the best way to get your point across, and to hear proof that Jamie actually does work pretty hard.   Tracks discussed: The Old Style Raiders, Between The Rocks, Thank You   LINKS TO EVERYTHING TAPE NOTES  linktr.ee/tapenotes    Listen to ‘The Theory of Whatever’ here. Polydor Records, Universal Music   Intro Music - Sunshine Buddy, Laurel Collective     GEAR MENTIONS Vinyl Plugin Shure SM57 Neumann Mics Apple Tower Logic Pro X - Ultrabeat Logic   OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk   HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer George Durston - Production Assistant Matt Purbrick - Production Assistant Guy Nicholls - Production Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, John is back at Spitfire Audio to catch up with Ben Coyle-Larner, better known as Loyle Carner, along with producers Kwes and Nick Mills, about how they wrote, recorded and produced Loyle’s new album ‘Hugo’.   Reflecting back on their time writing over lockdown, Ben, Kwes and Nick talk us through their extensive process of whittling each track down to the finished article, from the early jam sessions and demos they fell in love with, right through the numerous directions they took each beat.   Along with sharing some of the best examples of collaboration and what it can bring, we’re treated to detailed track breakdowns and thoughts on the most effective approaches to take when balancing the emotions of a beat to the emotions within lyrics.   Listen to find out what dangers come with making things too musical, how AI came to the rescue multiple times, and what the ultimate studio snack is.   Tracks discussed: Hate, Nobody Knows, Plastic   LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes    Listen to ‘Hugo’ here. EMI, Universal Music Intro Music - Sunshine Buddy, Laurel Collective   GEAR MENTIONS D16 Decimort Plugin Oxford Inflator Plugin Kazrog True Iron Plugin Plugin Alliance Black Box Serato Sample Plugin Soundtoys Decapitator Soundtoys Tremolator Soundtoys Echoboy Soundtoys Little AlterBoy Valhalla Vintage Verb Mellotron Fabfilter Plugins  Goodhertz Lossy Plugin XLN Audio RC 20 Moises AI App Shure SM57 DBX 118 Expander Lewitt 640 Mics Teenage Engineering OP1 Logic Stock Pedals FL Studio   OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk   HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer Matt Purbrick - Production Assistant Guy Nicholls - Production Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to SoundBetter for supporting this episode of Tape Notes. SoundBetter is the world's leading music production talent marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers, and studio musicians in the industry. You can work with Billie Eilish's drummer, U2's mix engineer, or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists. Head to SoundBetter.com to find out more. In this episode, John is back at Spitfire Audio to reunite with Matty and George of The 1975, to talk about how they wrote, recorded and produced the album ‘Being Funny in a Foreign Language’.   Digging into stems, demos and the musical moments that inspired their writing, Matty and George give us a full behind-the-scenes tour of their creative process, sharing stories of very last-minute album additions and the unreleased songs that might one day be on a 1975 record.   As well as tales from the studio working with producer Jack Antonoff, the pair reveal the tricks they used to create and record some of the most unique sounds and performances on the album, from constructing vast textures of only organic keyboard sounds to Googling the gear and instruments other people use.   Listen to find out how simply soloing individual parts can lead to breakthrough moments when writing, the one scale you need to learn to play any 1975 song, and why Matty has now fully embraced his northern accent when singing.   Tracks discussed: Part of the Band, The 1975, Happiness, When We Are Together LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Listen to ‘Being Funny in a Foreign Language’ here.  Dirty Hit   Intro Music - Sunshine Buddy, Laurel Collective - https://songwhip.com/laurelcollective/sunshinebuddy      GEAR MENTIONS Gibson ES-330 Guitar Roland JV-1080 Yamaha CP80  Yamaha CP-70B Plugin Alliance Brainworx Focusrite CS Chandler TG Channel Korg M1 DynaCord Digital Echo Binson Echorec WEM Copicat Tape Echo  Roland RE-201 Space Echo Philips Philicorda Harmonium ProTools  Ableton   OUR GEAR https://linktr.ee/tapenotes_ourgear   HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Patreon: @TapeNotesPodcast Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk   HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing Learn more about your ad choices. Visit megaphone.fm/adchoices

In this very special live episode in partnership with AIM, MPG and Transgressive, John is joined by Let’s Eat Grandma’s Rosa Walton and producer David Wrench at Signature Brew to talk about how they wrote, recorded and produced the band’s third album ‘Two Ribbons’. Taking us back to the album’s very beginnings, Rosa and David chart each song’s development, from early bedroom demos complete with mumble melodies and simple energy building tricks, to lyrics finished on the day of recording and adding surprising instruments that bring that extra glitter to their music. Discussing the way in which the band’s creative process has changed in parallel with their different life experiences, the pair share their thoughts on wanting to take on separate subjects and their methods of unifying them into a singular sonic world. Listen to find out how to approach a breakup song before you’ve broken up, why sometimes you don’t need to worry about microphones and how many chillies were unknowingly consumed in the making of this album. Unfortunately, we had a few technical difficulties with the recording and so the sound quality isn’t up to our usual standard, but we hope you enjoy this deep dive into the album nonetheless.   Tracks discussed: Levitation, Sunday, Hall of Mirrors   LINKS TO EVERYTHING TAPE NOTES  linktr.ee/tapenotes    Listen to ‘Two Ribbons’ here. ‘Two Ribbons’ - Transgressive   Intro Music - Sunshine Buddy, Laurel Collective   GEAR MENTIONS   Arturia ARP 2600 V  Arturia Plugins Moog One Elka Synthex BOSS DR-100 “Dr. Rhythm” Analog Drum Machine Roland TR-808 Sequential Prophet  Neumann TLM 47  Fender Stratocaster  Gibson Guitars Mellotron Bell Tree Ableton - Granulator Plugin Logic Pro X     OUR GEAR https://linktr.ee/tapenotes_ourgear  HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk   TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer Andrew Tindall (Roam Film) - Videographer Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to SoundBetter for supporting this episode of Tape Notes. SoundBetter is the world's leading music production talent marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers, and studio musicians in the industry. You can work with Billie Eilish's drummer, U2's mix engineer, or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists. Head to SoundBetter.com to find out more. In this milestone 100th episode of Tape Notes, John is joined by the Finneas at Lightship95 Studio, to talk about how he wrote, recorded and produced his album ‘Optimist’ and his new single ‘Mona Lisa Mona Lisa’. Reflecting on the fluidity of his writing process, Finneas talks us through the varied methods and circumstances in which his tracks took shape, from the very first synth sounds that kick-started ideas, to the detailed sonic decisions that helped each element work towards a cohesive goal. Alongside the production masterclass, Finneas looks back on his career so far, discussing his family’s involvement with his music and the impact they’ve had on his creativity. We hear stories from the early days of making music videos with his mum, vocal mic shootouts with Billie, and the essential advice that he still lives by. Listen to find out why mediocrity isn’t a bad thing, how finishing a song isn’t too dissimilar to finishing a meal, and why the correct way to do something isn’t always the correct way. Tracks discussed: How It Ends, Medieval, Mona Lisa Mona Lisa   LINKS TO EVERYTHING TAPE NOTES  linktr.ee/tapenotes   Listen to ‘Optimist’ here. Listen to ‘Mona Lisa Mona Lisa’ here. OYOY Inc, Interscope Records   Intro Music - Sunshine Buddy, Laurel Collective.   GEAR MENTIONS Arturia Farfisa Output Analogue Strings FabFilter Twin 2 Spectrasonics Trilian Spectrasonics Omnisphere Soundtoys Decapitator Soundtoys Little AlterBoy Soundtoys Tremolator Antares Autotune Native Instruments Bundle Native Instruments Massive Valhalla Room Neumann TLM103 Chandler REDD Telefunken ELA M 251 Audio Technica AT2020 Shure SM7B Shure SM57 M-Audio Venom Sequential Prophet X Novation UltraNova Synth Elektron Synth Fender Acoustasonic Tube-Tech CL1B Compressor Cloud Microphones Cloudlifter Sweetwater Best Seller List Ableton Logic Pro Logic - Compressor Plugin   OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer Rob Leedell - Camera Assistant and Photographer George Durston - Production Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, John heads to Fiction Studios to catch up with Jon and Alex of Everything Everything to talk about how they wrote, recorded and produced the album ‘Raw Data Feel’. Taking us through the very first scraps of ideas, Jon and Alex pull apart the elements within each demo they often endeavour to carry into the final songs, from the qualities found within their raw desk mixes to the hidden melodies that end up pulling a whole track together. Alongside Jon’s tips on writing to suit different people’s vocal ranges and Alex’s deep dive into his modular synth collection, we’re given a glimpse into the influence and use of AI on the album, including a sneak peek at the lyrics generated when a system is fed with text from Beowulf, Tumblr feeds and the LinkedIn T&Cs. Listen to find out how a studio clean out led to a slide guitar feature, why limitation is such a useful tool and what to start cutting out when you’re bored with a track.   Tracks discussed: Jennifer, Leviathan, Software Greatman   Listen to ‘Raw Data Feel’ here. ‘Raw Data Feel’ - Infinity Industries LLP, AWAL Recordings Ltd   Intro Music - Sunshine Buddy, Laurel Collective   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    GEAR MENTIONS Linnstrument Roli Seaboard Verbos Sequencer Verbos Electronics Verbos Harmonic Oscillator SOMA Pulsar 23 Cwejman S1 Cwejman MMF 2 Filter Zoom 4040 Pedal Metal Zone Pedals Valhalla Reverbs Neumann U67 Ableton - CV Tools Ableton     OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer George Durston - Production Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, John links up with Lykke Li and producer Bjorn Yttling to talk about how they wrote, recorded and produced Lykke’s latest album ‘EYEYE’. Digging into the truly multi-dimensional record, Lykke and Bjorn look back on their process of creating the sonic world in which the tracks all live, from finding different angles to songs by playing them on different instruments, to the breakthrough moments in the studio when an idea just unlocks. Alongside sharing thoughts on feeling the beat and what makes a very Swedish sounding riff, the conversation turns to Lykke’s start in music, the star quality she possessed that drew Bjorn to her despite some vocal and songwriting flaws, and the constant resistance she faces as an artist. Listen to why condoms can be helpful tools when micing up, what headphone-phobia does to your recordings, and how to truly tap into the divine within music. Tracks discussed: OVER, CAROUSEL, u&i   Listen to ‘EYEYE’ here. 'EYEYE' - Play It Again Sam/Crush Music   Intro Music - Sunshine Buddy, Laurel Collective   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    GEAR MENTIONS Soundtoys Microshift Shure SM58 AKG D190e Soma Synths The Pipe Casio 101 Moog Rogue Crumar String Synth Levin Guitars Hagstrom Amps Roland Amp (Battery Operated)   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer George Durston - Production Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, John is back at Spitfire Audio to catch up with Yannis and Jimmy of Foals, to discuss how they wrote, recorded and produced their new album ‘Life Is Yours’. Giving us a fascinating insight into their process and how they adapted it for their current 3 piece line up, the pair look back on how they kept their creativity organic and spontaneous, as well as the impact of each new producer along the way. With writing-room demos and plenty of stories from the studio, we’re given a full rundown of the elements that went into shaping the band’s updated sound, from the list of keywords they wrote before even playing a note through to the almost hour-long jams.  Listen to find out how they sneak discarded ideas back in to the lives show, why it’s so important for the groove of a song to be set before anything else, and what producers often do to keep their production secrets under wraps. Tracks discussed: Wild Green, 2001   Listen to ‘Life Is Yours’ here ‘Life Is Yours’- Warner Music UK Intro Music - Sunshine Buddy, Laurel Collective   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes     GEAR MENTIONS Electro Harmonix POG Pedal Prometheus DLX Resonant Filter Strymon Pedal Roland Jupiter 4 Korg Minilogue Sequential Mopho Travis Bean Guitars  Gibson Hollowbody Bass Selmer Zodiac Amp Leslie Rotary Speaker Reaper   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  YouTube: Tape Notes Podcast Facebook: @tapenotespodcast   Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer George Durston - Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, John heads over to Spitfire Audio to chat with Mahalia and producer JD. Reid about how they wrote, recorded and produced the EP ‘Letter To Ur Ex’. Looking back on their early writing sessions together, the pair reflect on their very first meeting and the approach they took to get the best out of one another. From scatting line after line over a beat and jamming ideas until something just sticks, to the promise of food as a reward for finishing each section of a song. Alongside sharing their thoughts on blending the worlds of hip-hop and R&B, we’re treated to a production deep dive, looking at the intricate relationships between the parts that make up a beat and the small yet essential ingredients that add so much to each track in such subtle ways. Listen to find out why Mahalia sometimes sings with a man’s voice, what moments just scream out for a Talk Box, and why it’s always important to look at a track as more than just an instrumental and vocal.   Tracks discussed: Letter To Ur N(ex)t, Whatever Simon Says, In The Club   Listen to ‘Letter To Ur Ex’ here. ‘Letter To Ur Ex’ - Warner Music UK   Intro Music - Sunshine Buddy, Laurel Collective   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    GEAR MENTIONS Wavesfactory Cassette Tape Saturation Goodhertz Lossy Spectrasonics Omnisphere Arturia CS80 Arturia Mellotron Arturia Juno Chorus  Antares Autotune Keyscape Rhodes UAD Empirical Labs Distressor UAD Empirical Labs Pultec Universal Audio Apollo Twin (JD’s Interface) Native Instruments Rickenbacker Bass Native Instruments Reaktor Native Instruments Kontakt Valhalla Reverbs Valhalla Shimmer Spitfire Strings Spitfire Audio Talk Box MicroKorg Shure SM7B Splice Logic Pro   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  YouTube: Tape Notes Podcast Facebook: @tapenotespodcast  Discord: Tape Notes   To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer George Durston - Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, John links up with Chaz Bear, the mind behind Toro y Moi, to talk about how he wrote, recorded and produced the album ‘MAHAL’. Digging into jam sessions dating back to 2015 with all of the original recordings to hand, Chaz gives us the lowdown on how his musical ideas formulate, and the simple yet impactful journey they undertake to arrive as fully fleshed out tracks. Reflecting on life as an all-round creative, Chaz looks back on how he got started in music, from the early days using his parent's karaoke machine, to the importance of community and collaboration in today's music world. Listen to find out what in The Godfather had such a huge influence on a song, why it’s so difficult to create completely emotionless performances, and how to fearlessly explore ideas in your music. Tracks discussed: Déjà Vu, Magazine, The Loop   Listen to ‘MAHAL’ here. ‘MAHAL’ - Dead Oceans   Intro Music - Sunshine Buddy, Laurel Collective   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    GEAR MENTIONS Shure SM7B Shure SM57 Neumann Mics API Channel Strip Hofner Bass Reason Ableton FL Studio Fostex Multitracker Wurlitzer Piano   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer George Durston - Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing  Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to SoundBetter for supporting this episode of Tape Notes. SoundBetter is the world's leading music production talent marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers, and studio musicians in the industry. You can work with Billie Eilish's drummer, U2's mix engineer, or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists. Head to SoundBetter.com to find out more. In this episode, John links up with Harley Streten, better known as Flume, to talk through how he wrote, recorded and produced the four opening tracks from his mixtape and three albums - ‘Flume’, ‘Skin’, ‘Hi This Is Flume’ and ‘Palaces’. Digging out files from sessions dating back to his early adventures travelling around Europe, Harley gives us a rundown on some of the key parts of his life in music and how his approach to producing has changed over the years. From his early days using cereal box software to his approach to fixing writer’s block and the mental strain of life in music. As well as the long list of failed experiments that never made the final tracks, we’re given a full tour of the painstaking tweaks and subtle changes Harley teases into his work to humanise a production. Listen to find out what question Harley always asks when visiting synth stores, why you shouldn’t be afraid to rip off other people, and what some of the key elements to consider are when navigating success. Tracks discussed: Sintra, Helix, Hi This Is Flume, Highest Building   Listen to ‘Palaces’ here.  Listen to ‘Skin’ here. Listen to ‘Flume’ here. Listen to ‘Hi This Is Flume’ here. Future Classic, Transgressive Records Ltd   Intro Music - Sunshine Buddy, Laurel Collective   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    GEAR MENTIONS Sonic Charge Synplant Vengeance Vocal Pack Native Instruments Razor Synth Native Instruments Reaktor Elektron Monomachine Reason FL Studio Cubase Ableton   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer George Durston - Production Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing  Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to SoundBetter for supporting this episode of Tape Notes. SoundBetter is the world's leading music production talent marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers, and studio musicians in the industry. You can work with Billie Eilish's drummer, U2's mix engineer, or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists. Head to SoundBetter.com to find out more. In this episode, John heads to Miloco’s The Yard Studios to catch up with The Chainsmokers, Alex and Drew, talking through how they wrote, recorded and produced their latest album ‘So Far, So Good’. Giving us a glimpse into their Hawaii writing sessions and drunken nights in the studio, the duo share the initial sparks and early ideas (both good and not so good) that developed into the final tracks.  As well as a beat building masterclass, creating drum patterns that no one would ever think up, the pair reflect on removing any pressure from their writing process and the impact it had on their creativity. Listen to find out how to get away with recycling beats from different songs, why sometimes it pays to be the least organised producer in the game, and what the best question to ask yourself is in order to handle almost every situation. Tracks discussed: If You’re Serious, iPad, I Love U   Listen to ‘So Far, So Good’ here. ‘So Far, So Good’ - Disruptor Records/Columbia Records   Intro Music - Sunshine Buddy, Laurel Collective    LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    GEAR MENTIONS Arturia Analogue Lab Arturia Plugins Antares Auto-Tune  iZotope Trash 2 Output REV Output EXHALE Output SIGNAL Soundtoys AlterBoy U-He Diva Xfer LFO Tool Zynaptiq Pitchmap Native Instrument FM8 Synth Apogee Duet Interface Apogee Symphony Interface Neumann Mics Telefunken Mics Gibson Les Paul Yamaha Baby Grand Piano Mason Hamlin Piano Nord Keyboards Steinway Pianos   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer Sam Nahirny - Photographer and Camera Assistant George Durston - Production Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, John heads to Bristol to chat with Yard Act’s James, Sam and Ryan along with producer Ali Chant about how their debut album ‘The Overload’ was written, recorded and produced. Catching up after a big night on the Bristol stop of their tour, the band reflect on their process of bringing the album together, from solitary lockdown demos and recording over WhatsApp videos, to learning how to play the drums and the last minute additions after the tracks had been mastered. Sharing their experience of transforming what started as a side project into a successful band, we hear stories of giving, receiving and dealing with criticism, the prompts that encouraged several turning points in their writing style and the dangers of overthinking when working on individual parts. Listen to find out how to write vocals that are suitable for the neighbours, why it’s important to know the difference between congas and bongos, and what in songwriting is not too dissimilar to drawing a monster. Tracks discussed: The Overload, Land Of The Blind, 100% Endurance   Listen to ‘The Overload’ here. ‘The Overload’ - Island Records, Universal Music   Intro Music - Sunshine Buddy, Laurel Collective   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    GEAR MENTIONS KNAS Ekdahl Moisturizer Spring Reverb Roland TR8 Drum Machine Vox Continental Keyboard Whurlitzer Philicorda Organ AMS Reverb Traynor Bass Amp G&L ASAT Guitars Fender Jazzmaster Fender Telecaster   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, John is joined by Dave, Donny and Jung from Gang of Youths to talk about how they wrote, recorded and produced the band’s new album ‘Angel In Realtime’. Taking us on a global tour, the trio guides us through the wealth of sounds, people and places that had such a huge influence on the album, from London street ambience and the goings-on outside their studio window, to Pacific Island chants and the extraordinary samples that opened up a whole new sonic world for them. Alongside a look into their musical melting pot, we hear thoughts on criticism, hate and jealousy within music, as well as their attitudes towards cheesiness and embracing who you are and what you love.  Listen to find out how to make a beat from a box of sultanas, why you sometimes might mistake Dave’s voice for a stoned Michael Buble, and how to create the illusion of something being simple - while still throwing 200 layers of tracks at it.   Tracks discussed: You In Everything, Spirit Boy, Hand of God, Goal of the Century    Listen to ‘Angel In Realtime’ here. ‘Angel In Realtime’ - Warner Music UK, Mosy Music LLP   Intro Music - Sunshine Buddy, Laurel Collective   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    GEAR MENTIONS Shure SM7B Shure SM57 Shure SM58 AKG Mics AEA R88 Mic Rode Mic Sony C37 FET 47 Mic Rode Pin Mic Warm Audio Spitfire Audio Plugins Spitfire Audio David Fanshawe Native Instruments Una Corda Native Instruments Kontakt Universal Audio 6176 Universal Audio Plugins Soundtoys Devil-Loc Soundtoys Plugins Izotope Vocal Synth National Reso-Phonic Guitars Splice Logic Pro   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Rebecca Ibbotson - Digital Marketing  Nathan Hetherington - PR Alex Nixon - Assistant Learn more about your ad choices. Visit megaphone.fm/adchoices