253 | Producing a Hit Studio Movie: What Writers Should Know ft. Sheila Hanahan Taylor (Final Destination: Bloodlines)

252 | Creating a Complex Protagonist with a Simple Goal ft. Kim Rosenstock (Dying for Sex)

251 | Writing with Your Partner (in Life & Work): Joe Forte on Collaboration, Mentorship, and Creative Retreats

250 | Jac Schaeffer (WandaVision, Agatha All Along): Having a “Take” When Pitching on IP — or Anything

249 | Screenwriting & Social Media: How Being Online Can Help Your Career

Indie Film Craft 2 | Trey Edward Shults on Working With The Weeknd, The Role Of The Camera & Vulnerable Storytelling

248 | Working Writers Ask Us Questions: An Industry Mailbag

247 | Directing Fundamentals That Make You a Better Writer (ft. Rob Spera)

246 | Do I Need to Self-Produce to Sell My Writing? (ft. Emily Brundige)

245 | How To Pivot Genres and "Re-Brand" Yourself As A Writer (ft. Carla Banks-Waddles)

244 | Brent Forrester's (The Office, The Simpsons) Comedy Writing Masterclass

243 | If You've Ever Wanted To Quit Writing, Listen To This.

Indie Film Craft 1 | Tyler Nilson and Michael Schwartz (The Peanut Butter Falcon, Los Frikis) Discuss Authentic Collaboration

ANNOUNCEMENT: New Bonus Spinoff Show For Filmmakers Drops In Feed THURSDAY!

242 | Welcome To Wrexham Showrunner John Henion Discusses Theme As A Central Creative Throughline

241 | Bob's Burgers Executive Producers & The Great North Creators Discuss Adult Animation

240 | George Saunders' Storytelling Masterclass

239 | Wicked Co-Writer Dana Fox on Why You're Avoiding Your Writing

238 | How To Create and Maintain a Screenwriting Career Outside of LA or NY (ft. Will Fetters and Chris Sparling)

237 | Malcolm Washington & Virgil Williams (The Piano Lesson) On Adapting August Wilson's Pulitzer-Winning Masterpiece