Culture chat: The uncancelling of John Galliano
Description
In his new documentary High and Low, Academy-award winning director Kevin Macdonald focuses on John Galliano, the one-time enfant terrible of fashion. Known for dazzling collections and a personal penchant for wearing pirate outfits, Galliano led the House of Dior from 1997 to 2011. He then “lost it all” when a series of videos surfaced showing him making drunken racist and antisemitic remarks – though that’s just one version of the story. In fact Galliano became creative director of Margiela in 2014, just three years after his “cancellation”. Lilah is joined by HTSI’s assistant editor Louis Wise and the FT’s junior fashion editor Annachiara Biondi to talk about ‘High and Low’, and how the fashion industry handles stars that do bad things.
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We love hearing from you. Lilah is on Instagram @lilahrap and we’re on X @lifeandartpod. You can email us at lifeandart@ft.com. We are grateful for reviews, on Apple, Spotify etc.
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Links (all FT links get you past the paywall):
– High and Low: John Galliano is out now
– Our fashion editor Carola Long’s interview with director Kevin Macdonald is here: https://on.ft.com/3wSTgx0
– The FT’s review of High and Low, by Jonathan Romney: https://on.ft.com/3Ti6B9C
– You can follow Louis Wise on X @louismwise and Instagram @louisquinze.
– Annachiara Biondi is on X @annachiara_b and on Instagram @instapini_
More or Less:
– Annachiara wants more spoken word from artists such as British-Palestinian Tasneim Zyada. You can check out Tasneim’s work on Instagram @tasneimzyada
– Louis would like to see more films that are like “extended perfume adverts”, such as Dune: Part Two. Look in our feed for our Friday culture chat about Dune Two.
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Special FT subscription offers for Life and Art podcast listeners, from 50% off a digital subscription to a $1/£1/€1 trial, are here: http://ft.com/lifeandart
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Original music by Metaphor Music. Mixing and sound design by Breen Turner and Sam Giovinco. Clip courtesy of Mubi.
Read a transcript of this episode on FT.com
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