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S8 Ep256: PUSHING BOUNDARIES WITH DENSIFIED PROPELLANT AND BARGE LANDINGS Colleague Eric Berger. Following the 2015 launch failure, SpaceX introduced the "Falcon 9 Full Thrust," which utilized densified propellants—super-chilled liquid oxygen—to increase fuel mass
2025-12-2906:19
S8 Ep256: RISKING IT ALL TO DOCK DRAGON WITH THE ISS Colleague Eric Berger. To fund its Mars ambitions, SpaceX needed NASA contracts to deliver cargo to the International Space Station (ISS) using the Dragon spacecraft. Unlike traditional capsules, Dragon integrate
2025-12-2913:24
S8 Ep256: THE STRUGGLE TO BUILD AND TRANSPORT THE FIRST FALCON 9 Colleague Eric Berger. Moving from the single-engine Falcon 1 to the nine-engine Falcon 9 involved a "long hot summer" of grueling 100-hour weeks for young engineers in Texas. The team faced immense c
2025-12-2909:03
S8 Ep256: THE AUDACITY OF THE MARS COLONIZATION VISION Colleague Eric Berger. In September 2016, Elon Musk presented a vision in Guadalajara that sounded like science fiction: a plan to colonize Mars to prevent a potential extinction event. Despite a recent rocket
2025-12-2908:45
S8 Ep256: THE COLLAPSE OF 1989 AND THE MODERN AUTHORITARIAN PIVOT Colleague Professor Sean McMeekin. In the final segment, McMeekin challenges the narrative that the 1989 collapse was solely a popular uprising. Instead, he argues it was a "top-down disintegration"
2025-12-2907:57
S8 Ep256: THE COLD WAR TRAP AND GORBACHEV'S MISCALCULATION Colleague Professor Sean McMeekin. The timeline shifts to the Cold War rivalry, arguing that Soviet aggression was driven by a genuine belief—shared by the CIA—that their economic system would eventually ou
2025-12-2911:37
S8 Ep256: THE CULTURAL REVOLUTION: THE CULT OF YOUTH AND ANARCHY Colleague Professor Sean McMeekin. This segment covers the chaos of the mid-1960s Cultural Revolution. Mao mobilized a "cult of youth" to destroy the "old"—teachers, books, and cultural heritage—in a
S8 Ep256: MAO'S XENOPHOBIC REVOLUTION AND THE GREAT LEAP FORWARD Colleague Professor Sean McMeekin. Moving to China, McMeekin explains that Mao Zedong's ideology was a "bizarre melange" of Marxism, class envy, and intense xenophobia. Unlike European communists, Chi
2025-12-2911:10
S8 Ep256: STALIN VS. TROTSKY AND THE LOGIC OF THE GREAT TERROR Colleague Professor Sean McMeekin. The discussion turns to the rivalry between Leon Trotsky and Joseph Stalin. While Trotsky was an inflexible ideologue advocating for permanent revolution, Stalin was a
S8 Ep256: LENIN'S INNOVATION: REVOLUTIONARY DEFEATISM AND GLOBAL CIVIL WAR Colleague Professor Sean McMeekin. Focusing on Vladimir Lenin, this section examines how he radicalized Marx's vision through the concept of "revolutionary defeatism." Lenin believed that di
2025-12-2910:25
S8 Ep256: THE LINEAGE OF VIOLENCE: FROM BABEUF TO THE PARIS COMMUNE Colleague Professor Sean McMeekin. This segment explores the intellectual roots of communist violence, starting with the French agitator Gracchus Babeuf. Inspired by radical Enlightenment thinking,
2025-12-2907:23
S8 Ep256: TIANANMEN SQUARE AND THE UNMASKING OF THE COMMUNIST PROJECT Colleague Professor Sean McMeekin. The conversation begins with the 1989 Tiananmen Square massacre, framed not as an anomaly but as the definitive "unmasking" of the communist regime. While the p
2025-12-2910:16
S8 Ep255: JULIE MANET, THE VALUE OF TRANSIENCE, AND THE AVANT-GARDE Colleague Sebastian Smee. Berthe Morisot's legacy was carried on by her daughter, Julie Manet, to whom Berthe wrote a tender deathbed letter expressing that Julie had provided her solely with happi
2025-12-2811:56
S8 Ep255: MANET'S FINAL YEARS AND THE POSTHUMOUS HONOR OF MORISOT Colleague Sebastian Smee. Following the war, Manet painted a series of intimate portraits of Berthe Morisot, capturing her erotic restlessness and "black" mourning attire. Since they could not marry,
2025-12-2812:58
S8 Ep255: PLEIN AIR PAINTING AND THE IMPRESSIONIST FOCUS ON THE PRESENT Colleague Sebastian Smee. The Impressionists revolutionized art by painting en plein air (outdoors), prioritizing the sincerity of what they saw in front of them over the carefully composed con
2025-12-2809:28
S8 Ep255: THE DEVASTATION OF BLOODY WEEK AND MORISOT'S RESOLVE Colleague Sebastian Smee. In May 1871, French government forces retook Paris during "Bloody Week," a period of atrocity where summary executions were rampant and the streets "ran red with blood." In res
2025-12-2810:40
S8 Ep255: THE RISE OF THE PARIS COMMUNE FOLLOWING THE SIEGE Colleague Sebastian Smee. By March 1871, following a winter of starvation where Parisians ate rats and zoo animals, the city's radical Republicans revolted against the provisional government. The radicals,
2025-12-2804:28
S8 Ep255: POLITICS, WAR, AND THE REPUBLICAN SPIRIT OF THE IMPRESSIONISTS Colleague Sebastian Smee. Édouard Manet was a passionate Republican who loathed the authoritarian rule of Napoleon III, a sentiment rooted in his witnessing the 1848 uprising and his travels t
2025-12-2815:12
S8 Ep255: THE ARTISTIC AND ROMANTIC BOND BETWEEN BERTHE MORISOT AND ÉDOUARD MANET Colleague Sebastian Smee. Berthe Morisot and her sister Edma were talented painters from a haute bourgeois family who successfully exhibited at the Salon, though society expected them
2025-12-2807:34
S8 Ep255: THE 1874 EXHIBITION AND THE BIRTH OF IMPRESSIONISM Colleague Sebastian Smee. In the spring of 1874, a group of painters including Degas, Monet, Pissarro, and Renoir gathered at the studio of the photographer Nadar to exhibit their work outside the establi
2025-12-2810:15
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